Nicholas Litchfield

Nicholas Litchfield is the founding editor of the literary magazine Lowestoft Chronicle, author of the suspense novels When The Actor Inspired Chaos and Bloodshed and Swampjack Virus, and editor of twelve literary anthologies. His stories, essays, and book reviews appear in many magazines and newspapers, including BULL, Colorado Review, Daily Press, Pennsylvania Literary Journal, Shotgun Honey, The Adroit Journal, The MacGuffin, The Virginian-Pilot, and Washington Square Review. He has also contributed introductions to numerous books, including twenty-two Stark House Press reprints of long-forgotten noir and mystery novels. Formerly a book critic for the Lancashire Post, syndicated to twenty-five newspapers across the U.K., he now writes for Publishers Weekly. You can find him online at nicholaslitchfield.com.

Fools Walk In / So Wicked My Love by Bruno Fischer with an introduction by Nicholas Litchfield

Bruno Fischer’s Wicked Fools

This month, Stark House Press reissued two of Fischer’s paperback originals from the Fifties—Fools Walk In, published in 1951, and So Wicked, My Love, from 1954. The novels are essentially two variations on a theme. The first is a bizarre and twisty drama wherein a college professor gets involved with a gang of thieves, and the latter is a powerful and extremely well-written love story with darkness and villainy at its core. My essay, “Fischer’s Foolish Teacher and the Wicked Redhead,” introduces the collection.

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Review of Bandit Heaven by Tom Clavin

In Bandit Heaven, published by St. Martin’s Press last month, New York Times bestselling author Tom Clavin offers an interesting analysis of three secluded hideouts nestled in Wyoming and Utah that for many decades provided a place of refuge and protection for hordes of robbers, killers, and fugitives. These hangouts—Robbers Roost, Brown’s Hole, and Hole-in-the-Wall—sufficiently

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Washington Square Review: Summer 2024

Story “Paris Pickpockets” in Washington Square Review

My short story, “Paris Pickpockets,” a wry tale of theft at the Châtelet-les-Halles metro station in Paris, was published recently in the Summer 2024 (Vol. 2, No. 3) edition of Washington Square Review, a literary journal produced by Lansing Community College in Michigan that’s been around since 1972. The story was written earlier this year,

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Silent Light by Mark Jacobs

Litchfield reviews Silent Light by Mark Jacobs for the Colorado Review

My review of Mark Jacobs’ literary fiction novel Silent Light was published this week in the Colorado Review. Here is a snippet: “In this epic journey through brutalized, fractured communities within the Democratic Republic of the Congo, award-winning writer Mark Jacobs presents an intense and poignant novel of vulnerable outsiders at the peripheries of hell navigating inter-ethnic quarrels,

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A Séance for Wicked King Death by Coy Hall

Review of A Séance for Wicked King Death by Coy Hall

Coy Hall’s largely overlooked series opener, A Séance for Wicked King Death, published by Shotgun Honey Books last November, is an engrossing 1950s crime story that flaunts scrupulously distilled prose and memorable rogues. Set in Cincinnati, Ohio, and Huntington, West Virginia, it introduces Royce Pembrook, a smart, articulate ex-con with a talent for deception. A

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Interview with Jerry Levy for Lowestoft Chronicle

The latest issue of the Lowestoft Chronicle, published today, includes my interview with Canadian short story writer Jerry Levy. Years ago, Levy contributed an excellent short story to issue #9 of the magazine (“Paris Is A Woman”). Since then, Levy has published three story collections, including his superb The Philosopher Stories. This interview with Levy focuses on his story collections, his literary influences, and the real-life inspiration behind his intelligent, socially awkward philosophy hack protagonist, Karl Pringle, the star of his newest book.

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Review of Joey Piss Pot by Charlie Stella

The heavily populated saga, involving a shady FBI operation, lies, deceit, misplaced trust, and numerous vendettas, requires intricate plotting and careful attention to character. Many have said it before, but there’s a blunt realism to Stella’s dialogue and a compelling rationale for his underworld characters’ pitiless behavior. Richard Lipez writes in an article in The Washington Post: “It’s too bad that virtually none of Stella’s best dialogue is repeatable in this newspaper. Like “The Sopranos” writers, Stella is a kind of obscene Ring Lardner, finding a lean, rancid poetry in his characters’ vernacular, and rendering it with flawless precision and humor.” With Joey Piss Pot, the prose is spare, the conversation sharp and colorful and thick with profanity, and when the action kicks in, the slick, graphic violence leaves a mark. Fans of underworld fiction will drink this up and hungrily hold out their bowl for more.

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The Philosopher Stories by Jerry Levy

The impressive The Philosopher Stories, published a few months ago, is the third story collection from Canadian writer Jerry Levy. As with his 2020 collection, The Quantum Theory of Love and Madness, it’s released by the independent publisher Guernica Editions. Dissimilarity, this book might almost pass as a novel.

Segmented into twelve stories, it covers the ever-interesting ups and downs of Karl Pringle, an intelligent, socially awkward outsider “full of contradictions and insecurities, carrying around an entire Louis Vuitton set of heavy baggage.” A voracious reader, aspiring writer, philosopher, and guru, he’s also a slovenly layabout incapable of holding down a job.

His life takes a downward spiral when he’s thrown out of college for assaulting his professor, and a succession of poor decisions and disappointments push him further into the abyss. But then he’s thrown a lifeline when he meets the joyful and inquisitive Solange, a French woman in her thirties looking for love. Suddenly, there’s hope and a world of possibilities. But Levy’s narrative never goes in the direction you imagine it will, and maybe that’s just as well.

Articulate and original, The Philosopher Stories is an imaginative, thought-provoking pleasure that’s filled with equal parts humor and pathos.

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