Stark House Press

Litchfield Reviews Tales of the Impossible by Bill Pronzini for the Lancashire Post

Lancashire Post book review by Nicholas Litchfield: Complex puzzles, strange disappearances, unconventional murder techniques and spectral encounters abound in Tales of the Impossible, a standout collection of hard-hitting crime stories by Mystery Writers of America Grand Master Bill Pronzini.
Across a literary career spanning more than fifty years, Pronzini has published ninety novels, four non-fiction books, twenty story collections, numerous anthologies, and scores of articles, essays, and reviews. And his work has been translated into nineteen languages and published in nearly thirty countries.

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Litchfield Reviews Call the Witness by Edna Sherry for the Lancashire Post

Lancashire Post book review by Nicholas Litchfield: A newly minted partner at a prestigious law firm must fight for his reputation and freedom when he stands trial for his wife’s murder in Call the Witness, a taut 1960s crime novel steeped in small-town suspicion, legal intrigue, and simmering class tensions.

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Jack Webb Double: One For My Dame & The Deadly Combo

Jack Webb isn’t a name that gets tossed around much these days, but back in the Fifties and early Sixties, he was a reliable source for sharp, fast-moving crime fiction. A Los Angeles native with a background as varied as his plots—aviary specialist, ad man, Army lieutenant—Webb hit his stride with a memorable run of novels featuring the unconventional team of Father Joseph Shanley and Detective Sergeant Sammy Golden. But his talents didn’t start or end with that duo.

This month, Stark House Press brings Webb back into the spotlight with a new double-novel collection: One For My Dame and The Deadly Combo. These are two of his best standalones, out of print for decades and ripe for rediscovery.

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Shakedown & The Blonde and Johnny Malloy by William Ard (Author), Nicholas Litchfield (Introduction)

William Ard’s Shakedown and The Blonde and Johnny Malloy

As the author of the introduction to this new double volume from Stark House Press, I am pleased to see William Ard’s legacy continue to thrive. Ard, a Brooklyn native, distinguished himself through a prolific output of character-driven mysteries and westerns, publishing more than three dozen books under various pseudonyms. Though his career was cut short, his ability to blend hard-edged suspense with emotional depth has ensured a dedicated following and critical praise over the decades.

With the arrival of Shakedown / The Blonde and Johnny Malloy, readers are treated to a pair of novels that showcase Ard’s versatility and skill. In my introductory essay, “Ben Kerr and the Two Johnnies,” I trace Ard’s journey through the genre and examine the qualities that make his protagonists so enduring.

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Image of Roadside Night by Edwin N. Nistler and Gerry P. Broderick

Litchfield Reviews Roadside Night by Edwin N. Nistler and Gerry P. Broderick for the Lancashire Post

Lancashire Post book review by Nicholas Litchfield: In this moody, hard-edged noir – teeming with deception and sexual tension – a battle-weary ex-Marine is drawn by a beguiling stranger into a spiral of robbery and murder along the California coast where each shadow harbours treachery
and every promise comes at a price.

Litchfield Reviews Roadside Night by Edwin N. Nistler and Gerry P. Broderick for the Lancashire Post Read More »

A Dive into “Death in a Lighthouse” and “Murder Money” by Edward S. Aarons

This month, Stark House Press has released a twofer containing *Death in a Lighthouse* and *Murder Money*, a pair of standalone works originally published in 1938 under the Edward Ronns name. The first title, Aarons’s earliest copyrighted work, is a fast-paced suspense novel later published as *The Cowl of Doom*. The second, *Murder Money*, also known as *$1,000,000 in Corpses*, is a twisted, blood-soaked drama populated by a diverse cast of characters.

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Unveiling Bruce Elliott: A Master of Mystery and Magic

Bruce Walter Gardner Lively Stacy Elliott (1914 – 1973) was an American writer from New York City who wrote mysteries and science fiction and worked as a television screenwriter. He was also a practicing stage magician who served as the editor of the Phoenix, a popular magazine about magic. He also wrote several books on the subject. A couple of these were bestsellers, including Magic as a Hobby, published in 1948, which contains a foreword by Orson Welles.

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Fools Walk In / So Wicked My Love by Bruno Fischer with an introduction by Nicholas Litchfield

Bruno Fischer’s Wicked Fools

This month, Stark House Press reissued two of Fischer’s paperback originals from the Fifties—Fools Walk In, published in 1951, and So Wicked, My Love, from 1954. The novels are essentially two variations on a theme. The first is a bizarre and twisty drama wherein a college professor gets involved with a gang of thieves, and the latter is a powerful and extremely well-written love story with darkness and villainy at its core. My essay, “Fischer’s Foolish Teacher and the Wicked Redhead,” introduces the collection.

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Review of Joey Piss Pot by Charlie Stella

The heavily populated saga, involving a shady FBI operation, lies, deceit, misplaced trust, and numerous vendettas, requires intricate plotting and careful attention to character. Many have said it before, but there’s a blunt realism to Stella’s dialogue and a compelling rationale for his underworld characters’ pitiless behavior. Richard Lipez writes in an article in The Washington Post: “It’s too bad that virtually none of Stella’s best dialogue is repeatable in this newspaper. Like “The Sopranos” writers, Stella is a kind of obscene Ring Lardner, finding a lean, rancid poetry in his characters’ vernacular, and rendering it with flawless precision and humor.” With Joey Piss Pot, the prose is spare, the conversation sharp and colorful and thick with profanity, and when the action kicks in, the slick, graphic violence leaves a mark. Fans of underworld fiction will drink this up and hungrily hold out their bowl for more.

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